Fundamental frequency in Hertz. Read at control-rate, so if input is audio-rate, it will be sub-sampled.
Formant frequency in Hertz. This determines the overtone(s) most prominently perceived. Read at control-rate, so if input is audio-rate, it will be sub-sampled.
Pulse width frequency in Hertz. Controls the bandwidth
of the formant. Must be greater than or equal to
fundFreq
. Read at control-rate, so if input is
audio-rate, it will be sub-sampled.
Pulse width frequency in Hertz.
Pulse width frequency in Hertz. Controls the bandwidth
of the formant. Must be greater than or equal to
fundFreq
. Read at control-rate, so if input is
audio-rate, it will be sub-sampled.
Formant frequency in Hertz.
Formant frequency in Hertz. This determines the overtone(s) most prominently perceived. Read at control-rate, so if input is audio-rate, it will be sub-sampled.
Fundamental frequency in Hertz.
Fundamental frequency in Hertz. Read at control-rate, so if input is audio-rate, it will be sub-sampled.
Abstract method which must be implemented by creating the actual UGen
s
during expansion.
A UGen that generates a set of harmonics around a formant frequency at a given fundamental frequency.
Fundamental frequency in Hertz. Read at control-rate, so if input is audio-rate, it will be sub-sampled.
Formant frequency in Hertz. This determines the overtone(s) most prominently perceived. Read at control-rate, so if input is audio-rate, it will be sub-sampled.
Pulse width frequency in Hertz. Controls the bandwidth of the formant. Must be greater than or equal to
fundFreq
. Read at control-rate, so if input is audio-rate, it will be sub-sampled.